Tyler Chase
← Sending a session

Bouncing stems in Cubase

Cubase Pro and Artist can export every channel at once through Export Audio Mixdown. Cubase Elements can't — there, export one channel at a time the same way, changing the channel each time.

The settings, at a glance

Channel Selection
Multiple, every channel ticked
Naming Scheme
Channel Name only
File Type
Wave
Sample Rate
Same as your project — don't change it
Bit Depth
32 bit float
Export as
Interleaved
Effects
Inserts and Strip
Export Range
Locators, from 1. 1. 1. 0
After Export
Do Nothing
  1. 1. Turn off anything on the Stereo Out

    Open the MixConsole (F3). On the Stereo Out channel, click the small button at the right of Inserts so it turns yellow. That bypasses every plugin on it at once.

    MixConsole: the Stereo Out channel's Inserts bypass button lit yellow, with Compressor and Limiter greyed out.
  2. 2. Screenshot your Stereo Out plugins

    Take a screenshot of the Stereo Out channel's inserts, showing every plugin and the order they're in, and put it in the stems folder. Switched off is fine in the picture. I just need to see what's there.

    That's how I rebuild your rough mix's master chain exactly, so what I'm mixing against sounds like what you sent.

    Then open each plugin's window and screenshot that too, so I can copy its settings knob for knob.

  3. 3. Set the locators from bar 1

    Set the left locator to 1. 1. 1. 0 and the right locator a bar or two past the last note. Double-click the locator fields in the Transport bar and type them in — don't use P on a selection, which starts at the first note rather than bar 1.

    The locator range in the ruler running from bar 1 to bar 14, and the Transport bar's locator fields reading 1. 1. 1. 0 and 14. 1. 1. 0.
  4. 4. Open Export Audio Mixdown

    File › Export › Audio Mixdown…. Under Channel Selection, click Multiple, then tick every audio, instrument, group and FX channel. Ticking a heading like Audio Channels ticks everything under it.

    Channel Selection set to Multiple, with Audio Channels and every track under it ticked.
  5. 5. Set the names, format and range

    Next to Name, click the gear. In Naming Scheme, remove everything from Result except Channel Name, so each file is named after its track. Preview should show just the track name. Pick a new folder for the song under Path.

    File Type: Wave. Sample Rate: the same as your project — whatever you recorded at, don't switch it. Bit Depth: 32 bit float, so a channel that goes over 0 dB doesn't get clipped in the file. Export as: Interleaved.

    Effects: Inserts and Strip, so each file is that channel as it sounds, but not the groups or master after it.

    Export Range: Locators, and check it reads from 1. 1. 1. 0.

    File Location with Preview SNARE.wav; File Format Wave, the project's sample rate, 32 bit float, Interleaved; Effects Inserts and Strip; Export Range Locators from 1. 1. 1. 0 to 14. 1. 1. 0.
  6. 6. Export

    Leave After Export on Do Nothing and click Export Audio.

    For the dry lead vocal, set Channel Selection back to Single, tick just the lead vocal, set Effects to Disabled (DRY), put "DRY" in the name, and export again.

    After Export set to Do Nothing, and the Export Audio button.

Before you send it

  • One file per track, each named after its track.
  • Every file is the same length and starts at bar 1, beat 1.
  • Drag them all into an empty session at bar 1 and press play: it should sound like your rough mix.
  • The rough mix and your session file are in the same folder.
  • A screenshot of your master bus plugins, in order, is in there too.

Other DAWs

Logic Pro · Ableton Live · FL Studio · Pro Tools